![]() ![]() It also features one of Spindell’s most clever sequences: an extended seven-hour sex marathon condensed into a brief montage, framed by a clock in the foreground with the many sex positions presented slightly out of focus in the background. This second tale follows fraternity playboy Jake ( Jacob Elori) who targets shy and bookish Sandra ( Ema Horvath) for seduction and – you guessed it – pays the price for his hubris. The next story, set in the 60s, is longer and despite still being period-appropriate, is clearly engaging with contemporary sex and gender politics. In some regards The Mortuary Collection is what last year’s Scary Stories to Tell In the Dark would have been had it adopted a more formal anthology format. The intro is firmly drawing on Tales from the Crypt while this segment is period chic with a dash of A Series of Unfortunate Events. This is by far the shortest and least memorable of the stories, but it helps to set the tone and establish the visual aesthetic of the film. As he shows her around the mortuary’s various floors and spaces, filled with any number of odd and unusual artifacts, Morty entertains Sam with gruesome morality tales about bad people being punished for their sins.įirst up is the 50s-set story of Emma ( Christine Kilmer), a thief at a party who opens a medicine cabinet that should have been left locked. The collection is comprised of four “dark and twisted and scary” stories that are told via a wrap-around story as mortuary employee Montgomery “Monty” Dark ( Clancy Brown) interviews new hire Sam ( Caitlin Fisher). Other times some stories are simply better than others, leading to a lopsided viewing experience that doesn’t quite gel.Įnter writer/director Ryan Spindell’s The Mortuary Collection, which uses an effective workaround to address these issues with a bit of clever meta-commentary. They’re often constructed by multiple filmmakers working around a centralized theme, but can wind up feeling quite distinct from each other. Despite numerous exceptions to the rule, there’s a certain trepidation around anthology horror films.
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